CourseAutomotive & Motorsport Enrolment open

Course in Restoration of Collectible Prototypes

Online 300-hour course in restoration of collectible prototypes. 6 modules covering the Turin Charter (FIVA, 2013), the FIVA Technical Code and Artec Studio. Assigned tutor and enrolment open.

Duration300 h
ModeHybrid
LanguageEnglish / Spanish
Start datesOctober / March
LocationEurope (Madrid)
AwardSEIUM Institute diploma
Virtual lab · try it before you enrol

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Learning outcomes

What you will be able to do

01

Analyse the historical and technical value of a prototype as a unique piece.

02

Document the condition of a prototype using photogrammetry, scanning and condition records.

03

Apply the minimum intervention and reversibility criteria of the Turin Charter.

04

Select materials and techniques compatible with the prototype's original components.

05

Reproduce missing parts through reverse engineering without misrepresenting the vehicle's identity.

06

Plan the safe commissioning of experimental mechanisms.

07

Design the display, custody and transport conditions for the restored prototype.

Profile

Who it's for

  • Prototype restorer wishing to specialise in Restoration of collectible prototypes.
  • Conservator of automotive heritage wishing to specialise in Restoration of collectible prototypes.
  • Documentation technician for historic vehicles wishing to specialise in Restoration of collectible prototypes.
  • Technical manager of a private collection wishing to specialise in Restoration of collectible prototypes.
  • Reverse engineering specialist in unique parts wishing to specialise in Restoration of collectible prototypes.
  • Vehicle authenticity consultant wishing to specialise in Restoration of collectible prototypes.
  • Engineering or science graduates seeking to enter private car collections.
Standards & tools

What you'll work with

  • Turin Charter (FIVA, 2013)
  • FIVA Technical Code
  • EN 16095 (condition reports for movable cultural heritage)
  • EN 16853 (conservation process: decisions, planning and execution)
  • EN 15898 (conservation of cultural heritage: terms)
  • EN 15946 (packaging for the transport of cultural goods)
  • Spanish Historical Heritage Act 16/1985
Syllabus

6 modules · 300 h

  1. 1.1What distinguishes a prototype from a production model
  2. 1.2Design, test and competition prototypes
  3. 1.3Documentary value of the unique piece
  4. 1.4Risk of losing information when intervening
  5. 1.5Mandatory prior research
  6. 1.6Sources: archives, photographs and testimonies
  7. 1.7Identification and authentication
  8. 1.8Legal framework and ownership
  9. 1.9Ethics of restoring unique pieces
  10. 1.10Workshop: historical file of a prototype
  1. 2.1Photogrammetry and three-dimensional scanning
  2. 2.2Manual dimensional survey
  3. 2.3Recording of materials and finishes
  4. 2.4Paint and layer analysis
  5. 2.5Identification of period materials
  6. 2.6Manufacturing and assembly marks
  7. 2.7Cataloguing of parts
  8. 2.8Digital project archive
  9. 2.9Heritage documentation standards
  10. 2.10Practice: complete survey of an assembly
  1. 3.1Conserve, consolidate or restore
  2. 3.2Minimum intervention and reversibility
  3. 3.3Distinguishability of added material
  4. 3.4Criteria of the restoration charters
  5. 3.5Decision to leave in the as-found state
  6. 3.6Documenting what is not intervened upon
  7. 3.7Decision committee and its usefulness
  8. 3.8Communication with the owner
  9. 3.9Recording every decision taken
  10. 3.10Practice: memorandum of intervention criteria
  1. 4.1Period light alloys
  2. 4.2Magnesium and its risks
  3. 4.3Early fibreglass and resins
  4. 4.4Structural wood and plywood
  5. 4.5Historic fabrics and leathers
  6. 4.6Period paints and lacquers
  7. 4.7Reversible adhesives
  8. 4.8Manufacturing missing parts
  9. 4.9Reproduction versus conservation
  10. 4.10Practice: intervention on a difficult material
  1. 5.1Deciding whether it should run again
  2. 5.2Conservation of non-functional assemblies
  3. 5.3Documented dismantling
  4. 5.4Irreplaceable parts and their protection
  5. 5.5Manufacturing sacrificial parts
  6. 5.6Fluids and their compatibility
  7. 5.7First start-up of a historic piece
  8. 5.8Risks of driving a prototype
  9. 5.9Recording hours and use
  10. 5.10Practice: commissioning plan
  1. 6.1Preventive conservation conditions
  2. 6.2Transport and handling
  3. 6.3Insurance and valuation
  4. 6.4Display and its impact on the piece
  5. 6.5Maintenance in the collection
  6. 6.6Publication of research
  7. 6.7Relations with museums and archives
  8. 6.8Common errors and irreversible losses
  9. 6.9Documented real cases
  10. 6.10Final project: restoration project for a prototype
Methodology, software & labs

How you'll learn

100% online training on the SEIUM campus, with downloadable material, recorded classes and an assigned technical tutor. There are no fixed timetables: students progress at their own pace within the intake, which makes it possible to combine the programme with work.

Each module combines theory, guided reading of the original standard and applied exercises. The working software is Artec Studio, Geomagic Design X, SolidWorks, Agisoft Metashape, CollectiveAccess, in free, academic or evaluation versions. The case studies are based on real procedures for photogrammetric survey of bodywork, a workshop for restoring unique pieces, and controlled commissioning on a test bench. Assessment is continuous, module by module, plus the final integrating project.

Accreditable laboratories(EN ISO/IEC 17025) with a rotor bench, EMC/Lightning pre-compliance, HIL/SIL, vibration/acoustics.
Evidence-oriented Master's Thesis:safety case, test plan, compliance dossier and operational limits.
Industry-mentored:lecturers with experience in training, , eVTOL/UAM and flight test.
Flexible format(hybrid/online), international cohorts and support from SEIUM Career Services.
Ethics and safety:a safety-by-design approach, with cyber-OT, DIH and compliance as its pillars.
Capstone project

Build it end to end

Your final project follows the real engineering workflow, step by step, reviewed by your tutor.

Preventive conservation conditions

Analyse the historical and technical value of a prototype as a unique piece.

Transport and handling

Document the condition of a prototype using photogrammetry, scanning and condition records.

Insurance and valuation

Apply the minimum intervention and reversibility criteria of the Turin Charter.

Display and its impact on the piece

Select materials and techniques compatible with the prototype's original components.

Maintenance in the collection

Reproduce missing parts through reverse engineering without misrepresenting the vehicle's identity.

Career opportunities

Where this takes you

Restorer of collectible prototypesConservator of automotive heritageDocumentation technician for historic vehiclesTechnical manager of a private collectionReverse engineering specialist in unique partsVehicle authenticity consultant
Admissions & scholarships

Requirements

  • No prior degree is required.
  • Internet connection and a computer capable of running the programme's software.
  • Sufficient level of Spanish to follow technical regulation reading.

Ready to start?

Send your application today. Our admissions team replies within 72 hours with your study plan and funding options.

FAQ

Frequently asked questions

The programme consists of 300 hours in total, spread over 3 to 5 months. That is between 10 and 15 hours a week on average, compatible with full-time work.

You will work with Artec Studio, Geomagic Design X, SolidWorks, Agisoft Metashape, CollectiveAccess. Free, academic or evaluation versions are used, and the tutor will indicate the free alternative where one exists.

A SEIUM own diploma on passing continuous assessment and the integrating project. It is in-house training, not an official qualification from the Ministry.

Yes. Modules passed in a course or postgraduate diploma in the same area are credited towards the advanced programme. Check the recognition policy when you enrol.

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