Course in Digitisation of Automotive Heritage Archives
Online course of 300 h in digitisation of automotive heritage archives. 6 modules covering ISO 19264-1 (image quality analysis in cultural heritage), FADGI Guidelines for Digitisation of Cultural Heritage and Adobe Lightroom. Assigned tutor and open enrolment.
Take the controls.
Run a real engineering trade-off from this programme. Move the sliders, watch the model react in real time and beat the challenge.
What you will be able to do
Plan a digitisation project for an automotive heritage collection.
Configure equipment and capture parameters according to FADGI or ISO 19264-1.
Digitise special material such as drawings, negatives and catalogues.
Assign descriptive, technical and preservation metadata.
Design a digital storage and preservation strategy.
Manage rights and licences in image dissemination.
Assess digitisation quality using objective criteria.
Who it's for
- Heritage digitisation technician looking to specialise in Digitisation of Automotive Heritage Archives.
- Digitisation project manager looking to specialise in Digitisation of Automotive Heritage Archives.
- Metadata specialist looking to specialise in Digitisation of Automotive Heritage Archives.
- Digital preservation technician looking to specialise in Digitisation of Automotive Heritage Archives.
- Heritage photographer looking to specialise in Digitisation of Automotive Heritage Archives.
- Documentalist of motoring archives looking to specialise in Digitisation of Automotive Heritage Archives.
- Engineering or science graduates looking to enter manufacturers' archives.
What you'll work with
- ISO 19264-1 (image quality analysis in cultural heritage)
- FADGI Guidelines for Digitisation of Cultural Heritage
- Metamorfoze Guidelines
- ISO 14721 (OAIS reference model)
- ISO 19005 (PDF/A)
- PREMIS Data Dictionary
- Technical Interoperability Standard for Document Digitisation (Spain)
6 modules · 300 h
1.1Types of collections: manufacturers, workshops and clubs1.2Digitisation objectives1.3Preservation versus dissemination1.4Priorities and material selection1.5Initial condition assessment1.6Required resources and costs1.7Team and roles1.8Phased planning1.9Project indicators1.10Workshop: digitisation master plan
2.1Flatbed and sheet-fed scanners2.2Large-format scanner for drawings2.3Camera-based reprography and its setup2.4Lighting and colour charts2.5Resolution according to the original2.6Bit depth and colour space2.7Lossy and lossless compression2.8Master and access formats2.9Image quality control2.10Practical: configuring and testing a capture workflow
3.1Negatives and slides3.2Nitrate and acetate negatives: precautions3.3Glass plate photography3.4Large-format and fragile drawings3.5Bound books and their opening3.6Microfilm and microfiche3.7Magnetic and video media3.8Documents with seals and embossing3.9Small three-dimensional objects3.10Practical: digitising delicate material
4.1Technical, descriptive and preservation metadata4.2Applicable schemas and standards4.3Controlled vocabulary4.4Persistent identifiers4.5Linking with the parts inventory4.6Transcription and text recognition4.7Data quality control4.8Management tools4.9Migration from legacy catalogues4.10Practical: metadata record for a collection
5.1Data volume and forecasting5.2Storage systems and copies5.3The multiple copies rule5.4Integrity verification5.5Format migration5.6Media obsolescence5.7Annual preservation cost5.8Contingency plans5.9System documentation5.10Practical: digital preservation plan
6.1Publishing the online catalogue6.2Document viewer and usability6.3Licences and open data6.4Copyright and image rights6.5Personal data protection6.6Collaboration with other institutions6.7Engaging the enthusiast community6.8Common pitfalls in digitisation projects6.9Documented real-world cases6.10Final project: digitisation project for an automotive collection
How you'll learn
Fully 100 % online training on the SEIUM campus, with downloadable material, recorded classes and an assigned technical tutor. There are no fixed timetables: students progress at their own pace within the enrolment period, which makes it possible to combine the course with work.
Each module combines theory, guided reading of the original standard and applied exercises. The working software is Adobe Lightroom, Capture One, Archivematica, Omeka S, ABBYY FineReader, in free, academic or evaluation versions. Practicals are based on real procedures: calibrating equipment with colour charts, digitising large-format drawings and negatives, and quality control of master images. Assessment is continuous, module by module, plus the final integrative project.
Build it end to end
Your final project follows the real engineering workflow, step by step, reviewed by your tutor.
Plan a digitisation project for an automotive heritage collection.
Configure equipment and capture parameters according to FADGI or ISO 19264-1.
Digitise special material such as drawings, negatives and catalogues.
Assign descriptive, technical and preservation metadata.
Design a digital storage and preservation strategy.
Where this takes you
Requirements
- No prior qualification required.
- Internet connection and a computer capable of running the programme's software.
- Sufficient Spanish to follow technical standards documentation.
Ready to start?
Send your application today. Our admissions team replies within 72 hours with your study plan and funding options.
Frequently asked questions
The programme consists of 300 hours in total, spread over 3 to 5 months. That is between 10 and 15 hours per week on average, compatible with a full-time job.
Work is carried out with Adobe Lightroom, Capture One, Archivematica, Omeka S and ABBYY FineReader. Free, academic or evaluation versions are used, and the tutor indicates the free alternative where one exists.
A SEIUM own diploma upon passing the continuous assessment and the integrative project. This is in-house training, not an official Ministry qualification.
Yes. Modules passed in a course or postgraduate diploma in the same area can be recognised in the advanced programme. Check the recognition policy when you enrol.
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